Grant Peterson
Gaskell Building 112
- Email: grant.peterson@brunel.ac.uk
- Tel: +44 (0)1895 265543
Summary
Dr. Grant Peterson is an honorary Senior Lecturer for Brunel's Arts & Humanities Department as of 1st of Feburary 2025.
Dr. Peterson served many roles at Bruenl, starting in 2013, ranging from Programme Lead and Admissions Tutor to Associate Dean (Student Experience) for the College of Business, Arts, and Social Sciences (now College of Arts, Law and Social Sciences). His academic interests span British alternative theatre histories, interventionist street theatre, musical theatre studies, intersections of gender and sexuality, and pedagogy in the creative arts.
Dr. Peterson is an active researcher and supervisor, having guided postgraduate students in innovative areas of performance studies and politics. His current projects include a monograph contracted with Bloomsbury about interventionist street theatre practices in England and an journal article for Contemporary Theatre Review titled ‘AI Will Reprise Us: Performance and Recasting the Academy’ that explores impacts of artificial intelligence on theatre and academia. Recently, he was the first supervisor to Ariel Whitfield Sobel, whose thesis, ‘The Actor, The Audience, and The Spy: Tracing Actor Training Methodologies within Twentieth-Century Espionage Practice and Performance’, received the Vice Chancellor's Prize for Excellent Research. He has also co-authored articles with undergraduate students, including ‘Harmonising Neurodiversity in Musical Theatre Training: A Teacher-Student Dialogue’ for Theatre, Dance and Performance Training.
Dr. Peterson co-founded and led the development of Brunel’s musical theatre subject strand and degree pathway courses where some graduates progressed to advanced training at prestigious institutions such as the Royal Academy of Music, Royal Central School of Speech and Drama, and the Royal Conservatoire of Scotland. Several students have established successful careers in acting and musical theatre on professional stages and the West End as well as in the education sector.
Prior to academia, Dr. Peterson enjoyed a two-decade career as a performer across theatre, musical theatre, television, and commercials in Southern California. His accolades include the Los Angeles Backstage Garland Award for Best Actor for his performance in the West Coast premiere of Dalton Trumbo’s Johnny Got His Gun (2003) which also received LA Weekly awards for best production. Dr. Peterson's autobiographical one-man show, Performing Cancer (2011-12), chronicled his personal experience with a stage IV rare cancer and his journey through the healthcare systems of both the UK and US. The performance was showcased at the Bath Fringe Festival and academic conferences, demonstrating arts practice as a means of exploring resilience during the challenges of complex medical care.
Dr. Peterson’s teaching and research focus on:
- British alternative theatre histories
- Interventionist street theatre
- Performance and politics
- Gender and sexuality
- Digital humanities and AI
- Pedagogy, inclusion and the creative arts
- Musical theatre studies
Qualifications
PhD in Drama and Theatre (Royal Holloway, University of London)
MA in Critical Studies in Theatre (University of California, Los Angeles)
BA in Theatre with Musical Theatre emphasis (University of California, Los Angeles)
Fellow in the Higher Education Academy
Mental Health First Aider - England
Recognised Programme Developer
Responsibility
Associate Dean (Student Experience) for the College of Business, Arts and Social Sciences
External Examiner for the MA in Drama at the University of South Wales
External Examiner for the BA in Musical Theatre, The Brighton Academy, accredited by Bath Spa University
Newest selected publications
Peterson, GT. and Vogel, L. (2024) ''. Theatre, Dance and Performance Training, 0 (accepted, in press). pp. 1 - 4. ISSN: 1944-3927
Peterson, GT. (2024) ''. Contemporary Theatre Review, 34 (4 (accepted, in press)). ISSN: 1048-6801
Peterson, G. (2020) 'Cruzamentos, Rotatórias e Pontes: Fazendo conexões históricas entre práticas de teatro de rua / Intersections, Roundabouts and Bridges: Linking Historical Outdoor Theatre Practices'. Edições Letra e Ato / Letter and Act Editions, 2. pp. 26 - 32.
Peterson, GT. (2018) '‘A Revolutionary Proposal’: Alexander Trocchi, Dramaturgies of Disruption and Situationist Genealogies', in McLoughlin, K. (ed.) British Literature in Transition, 1960–1980: Flower Power. Cambridge : Cambridge University Press. , 2. pp. 65 - 80. ISBN 10: 1107129575. ISBN 13: 978-1107129573.
Peterson, G. (2017) ''Transparently Present' in 'Civic Violence: Grappling with Life in the UK''. Contemporary Theatre Review Interventions, 27 (4). ISSN: 1026-7166